Claire Coleman AT Hearth Event
We are thrilled to announce we will be hosting a special event with Claire Coleman on the 13th of March at 2pm at Hearth Galleries, Healesville.
Claire will be helping us to celebrate our current exhibition, Far North, with her in-depth knowledge of the art centres of Far North Queensland.
We are delighted also to be hosting a local launch of her book Lies Damned Lies, in collaboration with our wonderful local bookshop Verso.
Claire’s reputation for the power of her books is growing, but many people aren’t aware of her powerful writing on the topic of Aboriginal art.
This is a wonderful opportunity to hear Claire’s experiences on the road visiting art centres.
Claire is a Wirlomin Noongar woman whose ancestral country is on the south coast of Western Australia. Born in Perth she has spent most of her life in Naarm (Melbourne) or on the road.
Her debut novel Terra Nullius, written while traveling around the continent in a caravan, was published by Hachette in Australia and Small Beer in the US. Terra Nullius won a black&write! Fellowship and a Norma K. Hemming Award and was shortlisted for the Stella Prize and the Aurealis Science Fiction Award among others. The Old Lie (Hachette 2019) was her second novel.
Her art criticism has been published in Spectrum, Artlink and Art Collector and in exhibition catalogues for NGV, AGSA and NGA and others.
She writes novels, poetry, short-fiction, drama and essay and has featured in the Saturday Paper, the Guardian, Meanjin, Australian Poetry and many others. Her short fiction and poetry has been published in multiple anthologies.
Lies Damned Lies: A Personal Exploration of the Impact of Colonisation, her first nonfiction book, was published in September 2021 by Ultimo Press. Her first play, Black Betty at the End of the World won the Malcolm Robertson Foundation Fellowship and is under development with Malthouse Theatre. Her third novel, Enclave, will be published by Hachette Australia in July 2022.
As seats are limited RSVP’s are required. Chrisjoy303@gmail.com
Claire will be helping us to celebrate our current exhibition, Far North, with her in-depth knowledge of the art centres of Far North Queensland.
We are delighted also to be hosting a local launch of her book Lies Damned Lies, in collaboration with our wonderful local bookshop Verso.
Claire’s reputation for the power of her books is growing, but many people aren’t aware of her powerful writing on the topic of Aboriginal art.
This is a wonderful opportunity to hear Claire’s experiences on the road visiting art centres.
Claire is a Wirlomin Noongar woman whose ancestral country is on the south coast of Western Australia. Born in Perth she has spent most of her life in Naarm (Melbourne) or on the road.
Her debut novel Terra Nullius, written while traveling around the continent in a caravan, was published by Hachette in Australia and Small Beer in the US. Terra Nullius won a black&write! Fellowship and a Norma K. Hemming Award and was shortlisted for the Stella Prize and the Aurealis Science Fiction Award among others. The Old Lie (Hachette 2019) was her second novel.
Her art criticism has been published in Spectrum, Artlink and Art Collector and in exhibition catalogues for NGV, AGSA and NGA and others.
She writes novels, poetry, short-fiction, drama and essay and has featured in the Saturday Paper, the Guardian, Meanjin, Australian Poetry and many others. Her short fiction and poetry has been published in multiple anthologies.
Lies Damned Lies: A Personal Exploration of the Impact of Colonisation, her first nonfiction book, was published in September 2021 by Ultimo Press. Her first play, Black Betty at the End of the World won the Malcolm Robertson Foundation Fellowship and is under development with Malthouse Theatre. Her third novel, Enclave, will be published by Hachette Australia in July 2022.
As seats are limited RSVP’s are required. Chrisjoy303@gmail.com
Murnong Artspace Now open
Hearth is proud to announce that it has opened a new site, Murnong Artspace, in lovely Glen Iris, in the New Year. Our beautiful new place is part of the beautiful Church Hall at St Oswald's Anglican Church, 100 High Street, Glen Iris.
As always with Hearth's intentions, Murnong Artspace will be a place for community and conversation, collaboration and your engagement.
The space also provides a studio space and gallery for Aboriginal artists, and being adjacent to the Wominjeka Garden, and the beautiful performing arts space, will provide a range of opportunities and events throughout the year.
Please get in touch if you'd like to know more.
Ever wondered about the significance of Murnong?
MURNONG: yam daisy, Microseris lanceolata
'More than the plant which provided a staple diet for Aboriginal people, Murnong is an ancestor. This plant is one of great significance because it represents a rejection of colonial agriculture. It was women’s role to collect this highly nutritious food using a careful process and extensive knowledge to ensure plant renewal and a continued food supply. It was a way of working with Country and resources. Women are recognised as the first agriculturists. The hard-hoofed creatures, sheep, that arrived with the colony, directly caused the demise of murnong and the starvation of Aboriginal people. The regeneration of murnong is a symbol of Aboriginal cultural revival and resilience.
Women and children used digging sticks to harvest and re-propagate the tubers. Tubers were eaten raw and roasted in coals.
Murnong Artspace honours the peoples of the Woi-wurrung language group who provided for their families and cared for Biik (Country)'.
The Murnong name, drawing and quote were offered generously by Aunty Kim Wandin, Wurundjeri Elder.
As always with Hearth's intentions, Murnong Artspace will be a place for community and conversation, collaboration and your engagement.
The space also provides a studio space and gallery for Aboriginal artists, and being adjacent to the Wominjeka Garden, and the beautiful performing arts space, will provide a range of opportunities and events throughout the year.
Please get in touch if you'd like to know more.
Ever wondered about the significance of Murnong?
MURNONG: yam daisy, Microseris lanceolata
'More than the plant which provided a staple diet for Aboriginal people, Murnong is an ancestor. This plant is one of great significance because it represents a rejection of colonial agriculture. It was women’s role to collect this highly nutritious food using a careful process and extensive knowledge to ensure plant renewal and a continued food supply. It was a way of working with Country and resources. Women are recognised as the first agriculturists. The hard-hoofed creatures, sheep, that arrived with the colony, directly caused the demise of murnong and the starvation of Aboriginal people. The regeneration of murnong is a symbol of Aboriginal cultural revival and resilience.
Women and children used digging sticks to harvest and re-propagate the tubers. Tubers were eaten raw and roasted in coals.
Murnong Artspace honours the peoples of the Woi-wurrung language group who provided for their families and cared for Biik (Country)'.
The Murnong name, drawing and quote were offered generously by Aunty Kim Wandin, Wurundjeri Elder.
Aussie Desert Dogs Fundraiser
Freedom by Sam Gummer
In collaboration with the Aussie Desert Dog program Hearth Galleries is thrilled to offer a collection of beautiful photographs by Sam Gummer, to raise funds for the projects of Aussie Desert Dogs. These images show the scenes of daily life in the community of Yuendumu. Proceeds of the sale of these photographs directly support the program.
Aboriginal people have always lived very closely with their dogs and a distinctive feature of most remote communities is the large number of dogs. Warlukurlangu Artists runs a dog health program in Yuendumu. This program involves feeding hungry dogs, managing ticks, and caring for sick and abandoned dogs. Staff regularly provide advice to community members on better care of dogs. Warlukurlangu Artists also fund vets to visit the community to sterilise dogs and treat them for various diseases. Over the years the Veterinary services have also been extended to the neighbouring communities of Nyirripi and Mt Allan.
In recent years the art centre has collaborated with Central Desert Regional Council and Central Land Council GMAAAC (Granites Mine Affected Area Aboriginal Corporation) to bring a vet to the community to take stock of the dog population and insert birth control implants or de-sex as many dogs as possible. This program is repeated regularly and has helped to control the number of dogs in the community and to improve the health of the remaining dogs. Despite this there are many unwanted puppies and Warlukurlangu Artists arranges for dogs to be adopted all around Australia and some puppies are taken to the RSPCA in Alice Springs.
Although the dog program is run daily by Gloria Morales, the art centres’ Assistant Manager, the Art Centre could not afford to continue to provide such a high level of services without the financial support.
Over the years Gloria Morales has become renowned for her care of animals in distress, not limited to dogs. For more information visit her Facebook page Aussie Desert Dogs. To see Gloria discuss her work, click here.
Each photo is printed on Museum Standard Pigment Ink on Archival Rag Paper, measuring 42 x 30cm.
Sam Gummer will be sharing her experiences and her insights into life in Yuendumu, as well as being available to answer questions on our social media about the program. https://www.instagram.com/chrisjoycuration/
"This photographic collection is a portrayal of the life in the community of Yuendumu, where I have been working and living for the past year. I originally came to Yuendumu to help the most inspirational woman, Gloria Morales, with her dog program, Aussie Desert dogs. The dog program started over 15 years ago and has changed the health, wellbeing and care of the dogs in the community, as well as educating the residence of the town on animal care and responsibility. Remarkably Gloria has achieved all this whilst working as the assistant manager of Warlukurlangu Artists!
Observing the cultural relationship between Warlpiri people whilst living in the community and working at Warlukurlangu Artists has presented me with the unique opportunity to experience the intimate dynamics of the inhabitants, art, and culture of a remote Aboriginal community. It has been a pleasure and a privilege to photograph such a vibrant and diverse environment. " - Sam Gummer
Each photograph can be purchased from our shop at the special price of $150. https://www.christinejoycuration.com.au/shop.html
Aboriginal people have always lived very closely with their dogs and a distinctive feature of most remote communities is the large number of dogs. Warlukurlangu Artists runs a dog health program in Yuendumu. This program involves feeding hungry dogs, managing ticks, and caring for sick and abandoned dogs. Staff regularly provide advice to community members on better care of dogs. Warlukurlangu Artists also fund vets to visit the community to sterilise dogs and treat them for various diseases. Over the years the Veterinary services have also been extended to the neighbouring communities of Nyirripi and Mt Allan.
In recent years the art centre has collaborated with Central Desert Regional Council and Central Land Council GMAAAC (Granites Mine Affected Area Aboriginal Corporation) to bring a vet to the community to take stock of the dog population and insert birth control implants or de-sex as many dogs as possible. This program is repeated regularly and has helped to control the number of dogs in the community and to improve the health of the remaining dogs. Despite this there are many unwanted puppies and Warlukurlangu Artists arranges for dogs to be adopted all around Australia and some puppies are taken to the RSPCA in Alice Springs.
Although the dog program is run daily by Gloria Morales, the art centres’ Assistant Manager, the Art Centre could not afford to continue to provide such a high level of services without the financial support.
Over the years Gloria Morales has become renowned for her care of animals in distress, not limited to dogs. For more information visit her Facebook page Aussie Desert Dogs. To see Gloria discuss her work, click here.
Each photo is printed on Museum Standard Pigment Ink on Archival Rag Paper, measuring 42 x 30cm.
Sam Gummer will be sharing her experiences and her insights into life in Yuendumu, as well as being available to answer questions on our social media about the program. https://www.instagram.com/chrisjoycuration/
"This photographic collection is a portrayal of the life in the community of Yuendumu, where I have been working and living for the past year. I originally came to Yuendumu to help the most inspirational woman, Gloria Morales, with her dog program, Aussie Desert dogs. The dog program started over 15 years ago and has changed the health, wellbeing and care of the dogs in the community, as well as educating the residence of the town on animal care and responsibility. Remarkably Gloria has achieved all this whilst working as the assistant manager of Warlukurlangu Artists!
Observing the cultural relationship between Warlpiri people whilst living in the community and working at Warlukurlangu Artists has presented me with the unique opportunity to experience the intimate dynamics of the inhabitants, art, and culture of a remote Aboriginal community. It has been a pleasure and a privilege to photograph such a vibrant and diverse environment. " - Sam Gummer
Each photograph can be purchased from our shop at the special price of $150. https://www.christinejoycuration.com.au/shop.html
Local artist events
Mirrim Ngagu - deep listeningJoin Wurundjeri Elder and Master Weaver Aunty Kim Wandin for Mirrim Ngagu, a deep listening experience on Wurundjeri Country.
This short walk will include a ceremony, yarning circle and deep connection to country and culture. Through the intimacy of a small group, explore the cultural significance of basketry, its innovation, technology and Aboriginal knowledges. 'Family, honouring Ancestors, and having continuity of cultural traditions is important to me. Caring for Country is about me honouring everything the land holds, collecting reeds, that is, doing ceremony on Country which is what Country needs, speaking language, calling the reeds by their name, Djirra. Those things are ceremony. It's a consciousness that speaks to all things.'' (Aunty Kim Wandin) |
art & country - aboriginal cultural program for SchoolsExplore an indoor/outdoor experience with your students on Wurundjeri Country in Healesville with Bidjara woman Nikki Browne, and art educator Chris Joy.
Outdoors, students explore Indigenous Knowledge Systems through the significance of plants, waterways and sustainable systems of sustenance. In a gallery environment, students examine the diversity of artistic expression in Aboriginal cultures across Australia, and on Wurundjeri Country. |
for further information and bookings call: 0423 902 934
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